Johnston Marklee & Associates - EE.UU.

La modesta escala de 2-4-6-8 House caracteriza el tipo de encargos que fundó una generación de arquitectos de Los Angeles. El nombre se debe a sus cuatro ventanas cuyas medidas crecen en esa progresión. Fue construida en base a componentes prefabricados y usa energía solar. La nueva casa asume el pedigree del antiguo anexo, y actúa a su vez como anexo del que ahora se yergue como edificio principal en virtud de su valor histórico.

De ese modo, el diseño se genera a partir de dos repeticiones del volumen de la obra de Morphosis: una para crear un patio interior y la otra para la nueva vivienda en sí. El basamento alberga el living-comedor-cocina, que abraza el patio a través del cual la Casa 2-4-6-8 se hace siempre presente. También en la planta baja se encuentra un dormitorio-estudio. En la planta superior el dormitorio principal monopoliza el uso de la azotea sobre el basamento, a la cual accede a través de un pasadizo trapezoidal. Este pasadizo, la caja de la escalera y el dormitorio-estudio de la planta inferior constituyen el rasgo más distintivo de la casa. Los tres ambientes están pintados en azul, rojo y amarillo respectivamente y se manifiestan al exterior como grandes linternas que irrumpen en la geometría minimalista y el gris neutro de la cáscara.

Johnston Marklee & Associates
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Johnston Marklee & Associates en arkinetia

Fotos: Eric Staudenmaier
www.ericstaudenmaier.com
Eric Staudenmaier en arkinetia

Sale House

Completed in 2004 on a typical residential lot in Venice, California, the Sale House replaces a 1920’s bungalow destroyed by fire. The fire left behind an annex building at the rear of the lot. Commonly known as the 2-4-6-8 House, the annex is a two story studio and garage designed by Morphosis in 1978. Taking 2-4-6-8 as a starting point for a new host structure, the Sale House acknowledges the historical pedigree of its esteemed neighbor while reversing the process by which it was generated. The new design repeats and integrates the historical structure, simultaneously preserving the original function of 2-4-6-8 and producing new variations on a Los Angeles classic.

2-4-6-8 House: Historical Context
The modestly scaled 2-4-6-8 House characterizes the type of early commissions that launched a generation of Los Angeles architects. With four incrementally scaled windows from which the structure acquired its name, 2-4-6-8 confronts architectural issues prevalent in the 1970s and 80s, from typology and materiality to kit-of-parts building methods and the use of solar power.

Massing: Inside Out
The massing concept of the Sale House originated from a Morphosis drawing that multiplied 2-4-6-8 as identical quadruplets. Repeating and transforming the original volume of 2-4-6-8, a ‘condensed mass’ for the master bedroom mirrors the Morphosis pavilion across ‘excavated void’ of the courtyard. The original element and these two serialized variations are anchored to a rectangular base that contains the main living areas and joins the new and existing structures. By redistributing the outdoor spaces typically devoted to driveways, front and side yards to the internal courtyard, the overall design turns the typical single-family house inside out.

Color: Bright Pink, Turquoise, and Yellow-Orange
The platonic geometry and primary colors of 2-4-6-8 are further transformed and spatialized in the new design. Private rooms in bright pink, turquoise, and yellow-orange are conceived as shaped volumes – serial deviations from the red, blue, and yellow of the studio windows. The white walls of the main living spaces reflect these vibrant colors. The exterior contrasts this vivid palette with the most neutral color available – that of the photographic grey card – to simultaneously contrast and amplify the interior volumes. While light and color dynamically animate the shaped private spaces, shared living spaces are continuous and transparent to the exterior.

Planning and Apertures: Outside In
2’x2’, 4’x4’, 6’x6’, and 8’x8’ apertures in the new house, sized to match those of 2-4-6-8, contrast the inward orientation and compositional stability of the existing structure. Shifted to the volume edges to accommodate circulation and services, these openings reinforce the outward orientation and rotational quality of the new intervention. Within, centralized space is replaced by poché niches at the periphery. A wall of sliding glass doors renders the shared living space continuous with the glass box of the interior courtyard, and the glazed lower-level street façade visually links both spaces with the pedestrian street beyond. Taken together, the courtyard and apertures comprise an ideal passive cooling configuration: the courtyard draws fresh air into the base of the house, while the upper windows, puncturing each face of the new volume, expel warm air and promote cross ventilation. Radiant floors provide efficient winter heating.

Context: Walk-Street Bungalows
Situated on a pedestrian street with vehicular access limited to the rear alley, the design responds to the evolving nature of the Venice walk-streets. With land values in the area far exceeding the value of the original structures, many of these turn-of-the-century bungalows are nearing the end of their life spans. The Sale House offers a unique, well-scaled alternative appropriate to the neighborhood and the climate.


Credits

SALE HOUSE by JOHNSTON MARKLEE & ASSOCIATES
Venice, California

March 2004

Architect: Johnston Marklee & Associates, Los Angeles; Sharon Johnston & Marklee (Principals), Lars Holt & Mark Rea Baker (Project Architects); Jeff Adams, Diego Arraigada, Michelle Cintron, Daveed Kapoor, Anne Rosenberg, Anton Schneider (Project Team)

Owner: Josh Sale & Peggy Curran

Contractor: Alonzo Construction, Los Angeles

Structural Engineer: William Koh & Associates, Los Angeles

Photography: Eric Staudenmaier